Hoene Hoy Photography Gallery

This recently closed exhibition centered on the tension between visibility and invisibility, inherent to the medium of photography, through works by Black American artists.

Curated for the Film 218: Genre: The Western class in spring 2020, this exhibition features a selection of black-and-white photographs from the Loeb collection, alongside digital color images and a music video, that addresses central myths of the American experience associated with horseback riding, ranch labor, cowboys, and rodeo culture.

Held in spring 2017, this exhibition explores the “Women are Beautiful” series created by American photographer Garry Winogrand. Best known for his 35mm candid shots taken on urban streets in the 1950s, ’60s, and ’70s, during that period, he completed a body of work called “Women are Beautiful” comprising almost one hundred candid images of women in public places that were published in a book of the same title in 1975.

Held in fall 2017, this small, focused exhibition comprises eight works, ranging in date from 1948 to 2014, that feature diverse techniques and approaches to photography, from traditional gelatin silver prints to photograms and experiments with color photo-sensitive paper.

Held in spring 2018, this exhibition presents nine works by Billy Name, born William George Linich, who donated his artwork and ephemera to the Loeb after displaying them here in 1989. Name grew up in Poughkeepsie, later moving to New York City, then California, before returning to Poughkeepsie permanently in 1977.

Held in summer 2018, this exhibition explores the career of British photographer Grace Robertson who created spontaneous, timeless images that offer rare glimpses of the human spirit, often with great humor and character. Her well-composed photographs balance aesthetics and documentation and demonstrate both a classic, fine art approach to the medium and a genuine interest in the lives of real people.

Held in fall 2018, “Framing Space” explores the relationship between architecture and the photographic image, a perhaps unlikely pairing of two mediums that have become inextricably linked. On view are several works created from the mid 1930s through the 1970s depicting buildings and urban areas in various states of construction and destruction that explore the technique of framing as a methodology.

This inaugural exhibition, held in fall 2016, featured ten artworks that were recently acquired with funds given by Vassar’s Advisory Council for Photography.